We had only been in bed for about an hour last night when what seemed like an earth-shattering crash made both of us leap out of bed in a flurry of racing hearts and caught breath. We stood in the dark, unsure of what to do. "Hello!" I called, terrified, down the dark hallway into our second bedroom, which has seemed to serve as the locus of our paranoia lately.
The night before, you see, Tom was at school attending a poetry reading and I was home by myself. I discovered that night we have motion censors on both the north and south sides of our house, because they both kept getting turned on. One of them is right outside the window in the second bedroom/office, and the other is right outside our living room windows (which aren't on the front of the house, but the side). I was in our office, on the internet, and noticed the light come on through the blinds. The dogs in the neighborhood were going nuts that night, with constant barking (and there are a lot of dogs in our neighborhood). I didn't think much of it, and eventually it turned itself off. But I hadn't even been aware of its presence until that night, after almost 5 weeks of living here. Probably some random dog walking around, I thought.
A few minutes later I was walking into the kitchen when I noticed another light shining through the blinds of our living room window. I peeked through and saw that we had yet another motion censor on that side of the house, I had also previously never been aware of. This gave me a little bit of a pause, as the dogs were still going nuts all around our house.
Hmmm, I thought to myself, growing a little scared and paranoid. All the blinds in the house were shut, and the doors were locked. I thought about activating the alarm, but didn't. I went back into the office, my skin tingling a bit, and a chill went through me when I saw that the light outside the office had turned itself on again.
Shit. Now what? This boy has seen too many movies. Plus, at the moment we're sharing a car, and Tom had it, so I thought, "What if someone is walking around the house trying to figure out if someone's home?" And lest you think I'm simply paranoid, our neighbors across the street have had their home broken into 3 times in 4 years. Just a couple of weeks ago, the house next door to them had its front door kicked in in broad daylight. Within the past month, 3 other houses within 2 or 3 blocks of us have been broken into. Memphis takes its crime seriously. The dogs were now quieting down.
After several more minutes of hand-wringing, I decided to call the cops. Just, you know, to let someone know I was feeling paranoid, and maybe they could drive through the neighborhood or something. So they ended up sending 2 cars to my house, and they talked to me a bit (which, honestly, made me feel silly, because I hadn't actually seen or heard anything), and they walked all around the house and the backyard. (And I'm pretty sure one of them was Officer Aubrey, but I wasn't sure and it seemed inappropriate to ask. And yes, I sometimes watch that show.)
Obviously they found nothing. But later that night, after I had gone to bed, Tom was still up working and noticed the sensor outside the office turn on yet again. So he left the light on in the office when he came to bed.
So last night, we both crept into the darkness of the living room, huddling together. The kitchen light was on. "Did you leave the kitchen light on?" I asked Tom, as he had come to bed after me. I don't remember his response, but I think he said he did. I called for the cat, but I didn't see her anywhere. One of us reached down and turned on a lamp. Nothing seemed amiss. I walked into the kitchen half expecting there to be a person standing around the corner, having just kicked through our back door. Nothing. And no cat. Door still securely fastened.
So we both crept slowly together toward the back bedroom. I turned on the light. Everything seemed normal.
What the hell was that crash we'd both heard, and that caused us both jump out of our skin from sound sleep?? We were both so confused, and also freaked out.
Then I saw it. I breathed a sigh of relief, and almost started laughing at the absurdity of it. 2 weeks ago (or 3?), I bought a huge, old framed poster of a United States map to hang above the giant empty space of wall above our TV. Well, that had decided after all this time to fall, and simply land, upright, behind the TV and the TV table. We both finally breathed, and found the cat underneath the coffee table. The only other time in my life I'd been that freaked out was when I lived in Dallas and the light fixture in my bathroom fell one night and crashed to the floor while I was sleeping. I was convinced then that someone had broken my back sliding-glass door and was absolutely mortified to walk out into my living room to investigate.
So we both went back to sleep, eventually, after our hearts and nerves calmed down. But even now, in the morning, some of that paranoia still remains. I wonder if this is just how I'll feel the whole time I'm living here. Having your home broken into seems to me just about the most invasive crime that can happen to someone. How can you ever feel safe after that? Frankly, I'd rather be mugged at gunpoint if I had to choose. Let's just hope it never comes to that.
Friday, September 24, 2010
Tuesday, September 21, 2010
Numbers

To prevent myself from writing a rambling, rage-filled rant about how much I hate America and politicians and never want to vote for anyone ever again, including the "fierce advocate" Obama (a post I have already written and prudently sat on before I "published"), I will instead write a small, personal and congratulatory (to myself) post.
I got a job yesterday! And I have to say it was a little bit serendipitous, but it also came about through some deliberate and assertive networking. Several months ago, upon first learning that we were going to be moving to Memphis, I emailed someone at the Memphis Gay and Lesbian Community Center to see if they might have any recommendations for any places in Memphis that provide mental health services and were either GLBT friendly, or even specialized in GLBT issues. The man who responded was very nice and forwarded my email to probably 50 people in Memphis, several of whom wrote back to me. One of them was this guy, who wanted to know a little bit more about what I was looking for.
Long story short, we met up after I moved here and had a brief networking interview (well, about 45 minutes), where he got a little more information and said he had a few ideas of how he might be able to help me. Eventually he got back to me and asked me if I'd be willing to come back and meet the other 2 therapists that work there. I agreed, and they offered me a job.
It was a position that they had sort of been thinking about creating for a couple of years but hadn't really bothered. And then they met me and decided it would be "their loss" if they did not utilize me in some way. So I'm coming in preliminarily as an office manager of sorts, but they plan to begin training me in their modalities, and eventually I will get to start co-leading therapy groups and helping to co-facilitate their "intensives," which you can read all about here. I think this will be a very good fit for me. It seems the guy was really looking for someone to mentor, which is great, because I love to be mentored! He also just joined (I can't remember the exact name) the board of the Tennessee Strategic Planning Association for GLBT issues, or something like that. Basically a statewide mental health advocacy association for homos. They're having a big conference in November in Nashville he already said he wants to take me to. Which is super exciting!
So, you see kids, networking can really pay off. I guess especially in a city like Memphis that doesn't get a lot of young, educated people moving in. Mostly moving out. But I think this can be the start of a great relationship and a fantastic opportunity. I start tomorrow!
And speaking of relationships, Tom and I got engaged over the weekend! Also, I've been obsessed with this song for weeks now:
Thursday, September 16, 2010
Tornadoes
Inspired by this story of Time magazine accidentally using a 35-year-old photo and saying it was new (of a tornado passing by the Statue of Liberty), I decided to Google tornado pictures, because, you know, I'm kind of a natural disasters geek. Here are some of the cooler ones I found!
The photo in question, from the summer of 1976
A heart-stopping photo of a tornado in downtown Miami in 1997
Iowa City, 2008

Salt Lake City, 1999

Canadian city (I'm guessing Toronto?), 2000
The photo in question, from the summer of 1976
A heart-stopping photo of a tornado in downtown Miami in 1997
Iowa City, 2008
Salt Lake City, 1999
Canadian city (I'm guessing Toronto?), 2000
Wednesday, September 15, 2010
There's a calm before the storm
Tomorrow I have a "networking interview" at this place. Last week I had one here, and a job might actually come out of that one. The guy keeps being sort of cryptic about it, but promises to have me back for an official interview in the next few days. Tom sometimes marvels at my ability to cold-call places and ask if I can come in for an interview. It's sort of astonishing, if you actually have the credentials (even though I don't, really) how many places will invite you to come on over. As long as you act like you do, no one really knows the difference, and once you're in the door you can wow them with your smile.
In school they tell us over and over that networking is the key to employment. That was always what people said about the entertainment industry too, except then I felt like "networking" half the time was a code-word for giving someone a blowjob. I'm not really so jaded, but it's certainly a different experience. I also had a real interview on Friday at this place. My second with that company. In the first one, I told the lady I didn't want the job before the interview was even over. Not my bag, counseling gang-bangers, and kids awaiting trial for homicide, rape, and severe physical assault. No thanks. I am very gifted at some things when it comes to counseling, but probably not so much that. The latest interview was to be a counselor to foster kids and their foster parents, which I think is much more my smile. I think that interview went well. I also think, if I may be so bold, that it speaks to my inherent employability at some level if I can forthrightly say in one interview that I don't want the job and then she can recommend me for something else. One thing about the mental healthcare industry is that honesty is certainly valued. And self-awareness.
I also think it's just Memphis. People here are nice. And, I think, sort of desperate for out-of-town blood. In Portland (or even Austin, probably, for that matter) calling strangers out of the blue and asking for 30 minutes of their time would make people think I was creepy and desperate. Or just annoying. I've already made more friends in the 3 weeks I've lived in Memphis than in the 2 years I lived in Portland. That place is already starting to feel like somewhat of a distant memory. Whenever I tell people here where I moved from I get 1 of 2 reactions: a hearty welcome and some warning about the crime but that it's a great city; or a suspicious eyebrow raise and a "Why the hell did you move here?"
Today I went jogging in the old growth forest part of Overton Park, which was lovely, except I almost stepped on a large(ish) snake and subsequently almost had a heart attack. I'm glad no one was around to see me hyperventilating while I waved my hands up and down, muttering "Ohmygod, ohmygod" over and over.
Pretty soon I'm going to start taking some pics of my neighborhood and neat things in the city to post. And our house. That we love.
Also, for some reason (well, I know the reason, but it's complicated) I've been obsessed with this song for, like, a week now.
In school they tell us over and over that networking is the key to employment. That was always what people said about the entertainment industry too, except then I felt like "networking" half the time was a code-word for giving someone a blowjob. I'm not really so jaded, but it's certainly a different experience. I also had a real interview on Friday at this place. My second with that company. In the first one, I told the lady I didn't want the job before the interview was even over. Not my bag, counseling gang-bangers, and kids awaiting trial for homicide, rape, and severe physical assault. No thanks. I am very gifted at some things when it comes to counseling, but probably not so much that. The latest interview was to be a counselor to foster kids and their foster parents, which I think is much more my smile. I think that interview went well. I also think, if I may be so bold, that it speaks to my inherent employability at some level if I can forthrightly say in one interview that I don't want the job and then she can recommend me for something else. One thing about the mental healthcare industry is that honesty is certainly valued. And self-awareness.
I also think it's just Memphis. People here are nice. And, I think, sort of desperate for out-of-town blood. In Portland (or even Austin, probably, for that matter) calling strangers out of the blue and asking for 30 minutes of their time would make people think I was creepy and desperate. Or just annoying. I've already made more friends in the 3 weeks I've lived in Memphis than in the 2 years I lived in Portland. That place is already starting to feel like somewhat of a distant memory. Whenever I tell people here where I moved from I get 1 of 2 reactions: a hearty welcome and some warning about the crime but that it's a great city; or a suspicious eyebrow raise and a "Why the hell did you move here?"
Today I went jogging in the old growth forest part of Overton Park, which was lovely, except I almost stepped on a large(ish) snake and subsequently almost had a heart attack. I'm glad no one was around to see me hyperventilating while I waved my hands up and down, muttering "Ohmygod, ohmygod" over and over.
Pretty soon I'm going to start taking some pics of my neighborhood and neat things in the city to post. And our house. That we love.
Also, for some reason (well, I know the reason, but it's complicated) I've been obsessed with this song for, like, a week now.
Tuesday, September 14, 2010
Sign 'O the Times

I honestly don't know whether to be excited about all those teabaggers winning their primaries tonight, thereby handily securing those seats for Democrats in November, or to be incredibly depressed because, contrary to what some of you might believe, I do desperately wish the United States had a serious conservative party. Not only because it would make the whole country stronger if we could actually have real, adult debate about important issues (all the Republicans know how to do is scare up fear; at least they seem, for better or for worse, to have mostly moved on from gays being the primary boogeymen
I can't think of another time in my adult life when I actually, fundamentally cared less who actually won in November. The Democrats can also all go fuck themselves as far as I'm concerned, and frankly, I think it might be kind of fun for a couple of those nutbags to win in November. Then, perhaps, we could have the complete meltdown of the Republican party that this country so desperately needs. Then they can maybe rebuild themselves into something useful.
That might also be wishful thinking. Le sigh.
Wednesday, September 08, 2010
Like mountains beyond mountains
Tonight when I was putting together my shitty new crooked and wobbly metal shelf for my kitchen, and my shitty new wobbly particle board bookshelf to house all of our cookbooks, I got incredibly depressed.
It was a purely existential moment of fleeting despair at how fucking expendable everything feels. I made a commitment recently to only buy old furniture whenever I wanted a "new" piece of furniture. This would mean scouring thrift stores, antique stores, garage sales, etc to find that perfect sturdy old bookshelf to house all of our cookbooks. I love doing that stuff anyway, and finding a cool old table or shelf that you love is so gratifying. (Granted, this has only happened to me once.) But tonight I caved, proving as well how expendable my principles are. Natch.

We went to Target and bought a metal shelf for $17 and the particle board shelf for $20. You can't beat the price at least. But I felt defeated. We've been here almost 3 weeks and really needed this stuff, and I haven't found any suitable, or suitably old, ones. So I caved.
I've never been one of those people who wanted everything in their house to match, or who wanted a bedroom or living room "set." How dreadful. I want everything to be mismatched, and to have been collected, and to have a story behind it, even if it's someone else's story. In short, I want everything in my house to have been found, to have been discovered, to actually have some intrinsic emotional value. Instead I'm buying cardboard shelves at Target that will get thrown away in 2 years and added to all the crap squeezing out all semblance of life that's left on this planet.

Yes, putting together a shelf tonight has thrown me into an incurable depressive funk. It used to be that if you wanted a new set of dishes, you had to save for it, and go to a special place to buy them, and you took care of them, and valued them. I'm not so sure it shouldn't still be that way. I'm not so sure that simply being able to buy whatever we want whenever we want it isn't the whole root problem of everything that's wrong in our world. It's why humans are so unkind: because emotions are expendable. It's why no one values anything: because you can always just go buy another one. It's why we wage unwinnable wars against faux enemies: because resources will always be there forever to be exploited (or at least that's the common line of thought). I'm not convinced the future isn't going to look like the past. We'll probably all have to go back to riding horses and growing our own food and making our own clothes and everything technological will reverse (was that Herman Hesse who wrote a book about that?).
I've been reading the original Dracula by Bram Stoker this week and this afternoon I started to think about how annoying it is that the whole story is told through letters and the character's diary entries. When it then occurred to me that it's annoying because no one communicates like that anymore. No one writes 6-page, eloquent letters to each other anymore. It's a lost art, and the book, though only 113 years old, truly felt like a ancient relic. And then I decided I liked that it was all told through letters and diary entries. No one could write a book like that anymore. Think about it. Who now would write an entire 500-page novel told through snail mail correspondence? No one, that's who, because it wouldn't get published and no one would read it. Or if they did, it would be a gimmick. If anything, in this day and age, I think literature serves a purpose of reminding us how to read something more than 140 characters long.
I'm not saying anything new, I realize that. But I like this stuff.
It was a purely existential moment of fleeting despair at how fucking expendable everything feels. I made a commitment recently to only buy old furniture whenever I wanted a "new" piece of furniture. This would mean scouring thrift stores, antique stores, garage sales, etc to find that perfect sturdy old bookshelf to house all of our cookbooks. I love doing that stuff anyway, and finding a cool old table or shelf that you love is so gratifying. (Granted, this has only happened to me once.) But tonight I caved, proving as well how expendable my principles are. Natch.

We went to Target and bought a metal shelf for $17 and the particle board shelf for $20. You can't beat the price at least. But I felt defeated. We've been here almost 3 weeks and really needed this stuff, and I haven't found any suitable, or suitably old, ones. So I caved.
I've never been one of those people who wanted everything in their house to match, or who wanted a bedroom or living room "set." How dreadful. I want everything to be mismatched, and to have been collected, and to have a story behind it, even if it's someone else's story. In short, I want everything in my house to have been found, to have been discovered, to actually have some intrinsic emotional value. Instead I'm buying cardboard shelves at Target that will get thrown away in 2 years and added to all the crap squeezing out all semblance of life that's left on this planet.

Yes, putting together a shelf tonight has thrown me into an incurable depressive funk. It used to be that if you wanted a new set of dishes, you had to save for it, and go to a special place to buy them, and you took care of them, and valued them. I'm not so sure it shouldn't still be that way. I'm not so sure that simply being able to buy whatever we want whenever we want it isn't the whole root problem of everything that's wrong in our world. It's why humans are so unkind: because emotions are expendable. It's why no one values anything: because you can always just go buy another one. It's why we wage unwinnable wars against faux enemies: because resources will always be there forever to be exploited (or at least that's the common line of thought). I'm not convinced the future isn't going to look like the past. We'll probably all have to go back to riding horses and growing our own food and making our own clothes and everything technological will reverse (was that Herman Hesse who wrote a book about that?).
I've been reading the original Dracula by Bram Stoker this week and this afternoon I started to think about how annoying it is that the whole story is told through letters and the character's diary entries. When it then occurred to me that it's annoying because no one communicates like that anymore. No one writes 6-page, eloquent letters to each other anymore. It's a lost art, and the book, though only 113 years old, truly felt like a ancient relic. And then I decided I liked that it was all told through letters and diary entries. No one could write a book like that anymore. Think about it. Who now would write an entire 500-page novel told through snail mail correspondence? No one, that's who, because it wouldn't get published and no one would read it. Or if they did, it would be a gimmick. If anything, in this day and age, I think literature serves a purpose of reminding us how to read something more than 140 characters long.
I'm not saying anything new, I realize that. But I like this stuff.
Saturday, August 28, 2010
Dirty South
My first impressions of Memphis were driving over the Mississippi river from Arkansas into downtown at dusk. I'd heard tales of the blight of Memphis, and the rampant poverty, but I'm not sure I was quite prepared for what I actually saw when I arrived. Blocks upon blocks of crumbling or boarded up buildings; sheds that were actually liquor stores with bars on all the windows and doors; homes with the ceilings or porches caving in, but people clearly still living in them; roaming packs of dogs; burned out cars; and empty, desolate fields and lots, some of them full of garbage. I won't lie: my heart sank, and I nearly panicked at what I had got myself into.
As we drove on, and neighborhoods began to look only marginally better, we got stopped by a train trying to get over the track that runs only 3 houses down from our house. As we waited, and waited, and waited (at one point, the train simply stopped and sat there for awhile), 3 teenage boys were running down the street with 2 unleashed pit bulls. If I'd had a paper bag at that point, I would have started breathing into it.
Eventually, however, we made it to our new home, where our landlord was waiting for us ( and he is SO nice). The house is beautiful (pictures to follow), and I really like our neighborhood, but yeah, Memphis is a change. It's a city that is hemorraghing population, the cost of living is dirt cheap (our relatively large house is putting us back $700 a month; in Austin, our house would be no less than $1,200, or probably more), and at least according to Wikipedia, it's the most dangerous city in America. The dog at the house next door to us either spends all day on a 3-foot long chain, or simply runs around unchained, and likes to come up on our porch and try to follow us into the house. A house across the street has 2 pit bull puppies that also sometimes run around. Last week, apparently, 2 unleashed pit bulls attacked an old man somewhere in the city and he died.
Awesome.
Grocery shopping here has also been a bit of a challenge, or "uninspiring," according to a friend of mine here (yes, I've already made a new friend). But we're managing, and adjusting to any new place requires flexibility and a change in routine. I'll get by. It's a city I'm really looking forward to exploring culturally (with the rich music history, and the wealth of civil rights history, there's a lot going on in that regard) and socially. Honestly, at this point, my biggest complaint is the sprawl and how you have to drive 10 minutes to get anywhere. I guess I got really spoiled in Portland, because Austin is that way too, and while I didn't like it there (but expected it, and didn't really know much better), it's making me crazy, and kind of depressed, here in Memphis. Another adjustment, I suppose.
I assume I'll be blogging a bit more regularly here, since in Portland I just never felt inspired to blog. Here, I anticipate feeling more inspired. Already good things are happening, which I will also write about. I think, once I get past the shock of actually living in an impoverished southern city of extremely dubious distinction, I'll settle in and start making it my own. A lot of people love living here. Hopefully soon enough I'll understand why. And since we have a guest bedroom now, maybe lots and lots of people will come visit! Memphis has its own special kind of beauty, much like the rusty, dilapidated industry of the Pacific Northwest, which I think is beautiful.
Friday, August 20, 2010
Cicadas in August

It seems ungrateful to complain about the rough beginning of our trip back east (east of Oregon, anyway): about how the restaurant at the hotel only had 1 cook, and we waited over 20 minutes on a salad before we gave up and left (after a day of moving); or about how much I fucking hate American Airlines (sorry, Victor!) and how miserable they make every trip I ever use them for and that they have a complete lack of regard for their customers; or about how Littlejeans escaped from her carrier on the airplane and the stewardess had to chase her down. But that, at least, was funny.
The first night we arrived in St. Louis we talk a walk around the neighborhood after dinner. It was just what summer should feel like. The cicadas and crickets were buzzing, the air was warm but damp and a little breezy. The air just feels so different here than in Oregon. It's impossible to put my finger on, and I don't think I would ever get used to Oregon summers.
I brought along 3 books for travel: Light in August by William Faulkner, which I'm reading now and loving, though making very little headway it seems; Danse Macabre by Stephen King, whom I've decided is in my top 5 favorite contemporary writers; and Brave New World by Aldous Huxley, which I've never read, but feel like I should have by now. We had no idea how long our stuff was going to take to be moved from Portland to Memphis, but as of this morning, according to our moving coordinator, it will all be there Monday morning. Which is super exciting, but also stressful because Tom will be gone to orientation all day, and I have a job interview at this place at 1pm. So they better get there on time.

Last night some friends of Tom's hosted a potluck for us at their house which was utterly delightful, and I drank too much. And today we visited a used bookstore that was incredible and it stormed. How I've missed storms! It's easy to forget that up in the Pacific Northwest, they don't actually have weather. It rains, but that's climate, not weather. Nothing ever really happens up there except some occasional snow. We've done a lot of walking, and record shopping, and Miss Littlejeans is loving Tom's parents house, and the air-conditioning (as are we!) and is settling in nicely. Hopefully she'll settle in just as nicely to our house in Memphis.
Monday, August 09, 2010
"I could waltz across Texas with you."
Collier's wedding in California was beautiful, and so much fun. Four days in the mountains, with no internet, very little phone service, and just good food, great friends, tons of laughs and great conversations. Everything was perfect.


Many, many more pictures are HERE.
Many, many more pictures are HERE.
Tuesday, August 03, 2010
Combining according to the laws of a closed order

I've recently been thinking a lot about families, and how they shape us. Not in the usual ways that people talk about that, but in how things get passed down in a really unconscious way. How what families talk about, or don't talk about, or the secrets they keep, or the habits they have, effect subsequent members of the family.
My mom says that my older brother has pretty much the exact same personality as our great-grandfather, who my brother never knew. In fact, my grandfather died several years before my brother was even born.
The French psychoanalyst and neo-Freudian Jacques Lacan says that everyone speaks in unconscious signifiers, which, as I understand it, are more than just words we say. They are words that sound like other words, said in place of what the person either can't really say, or doesn't know to. They are very common in instances of repression, or trauma, when an individual doesn't have a way to construct a narrative about their life. But aside from trauma or repression, everyone uses signifiers in their speech, because according to Lacan, even using language is traumatizing, because it will always be woefully incomplete (as a form of expression).

Thus, these same forms of expression, or non-expression get passed down, even in very unconscious or historical ways that can even skip generations. It's more than genetics; it's a way of understanding and being in the world. I don't think it's just families that do this, though, but families have the biggest influence on this for each person.
How is it that so much can be absorbed into each person throughout a lifetime and then expelled in so many other ways that are completely unconscious? How come so many families, through generation after generation, just can't seem to get it right? It's more than conditioning. It's their language, even in the way they talk about things when they're really talking about something else. Resentments, terrors, fears, hopes, desires. All of these things are embedded in our DNA in one way or another, whether we know it or not.
In more ways than one, we're always stuck with our families.
Wednesday, July 28, 2010
Teach him he's alive before he wishes he was dead
Images of parents who were so hungry and unfulfilled that they ate their own children...images so violent and malicious that they seemed to be my only point of reference for a long time afterwards. After I left.
-Bret Easton Ellis, Less Than Zero
Bret Easton Ellis has officially run out of ideas. I first read Less Than Zero when I was a freshman in college (appropriately) and I pretty much hated every character, but it made an impression on me. It wasn't until a bit later that I realized I was supposed to hate every character, and that Zero wasn't necessarily supposed to be entertainment. It was a document, so to speak, of a life. It seems too extreme to be real, painting as it does a world so full of drugs, materialistic consumption, power, money, and fame, that its inhabitants have become completely removed from any kind of reality. They are totally devoid of feeling. In one scene, a bunch of kids sit around a Malibu mansion watching a snuff film that was purchased on the street that contains children being tortured. In another, some friends of the main character tie a 12-year-old girl to a bed at a party in West Hollywood, shoot her full of drugs and take turns raping her. The main character's (and narrator's) response to this? To walk out on the balcony and say, "It's not right, what you're doing."
It is a disturbing book, to be sure, but I'm also not completely sure it's fiction, which is the point. It's a post-modern conundrum at its finest. It's an amoral document that dares you to be offended, but then says, "Hey, this is just my life, what I've seen. I just call it as I see it."

Ellis is at his best when he is plotless. When his characters simply move through life and events and observe. His next to last book, Lunar Park, was such a meta-analytical mess, it revealed a man who appeared to be seriously off his rocker. The main character's name was Bret Easton Ellis, but it's not the same BEE that wrote the book. The one in the book is heterosexual (everyone knows the real BEE is gay), lives in the northeastern suburbs, and has children. But he was also a writer, who, I believe, wrote American Psycho, I'm not sure. Anyway, he wrote something about children being murdered, and then, the plot of Lunar Park is about a real-life murderer who is reenacting the murders in the book with children from the fictional BEE's neighborhood, and then starts coming after his children. And then there was something about the BEE character's dead father showing up as a ghost, or something. I don't remember. Jay McInerney (one of my favorite contemporary novelists) also makes a cameo in the book as himself, but was apparently none too pleased with how he was portrayed. But it was a mess and ridiculous. Too much plot, which could have been interesting in hands that are perhaps more skilled in the art of storytelling.

Last week I just finished BEE's latest, Imperial Bedrooms, supposedly a sequel to Less Than Zero, but only because he says it is. It concerns Clay, the narrator of Zero, but in Bedrooms, in another meta-analytical twist so confusing it makes your head spin, he claims to have not written the book. He also claims that he and all his friends were invited to the movie premiere, and were stunned when the movie was nothing like the book, and thus, they felt their lives had been stolen by Hollywood and made into an after-school special. So in Imperial Bedrooms, both the book and the movie of Less Than Zero exist, but it's really BEE commenting on them through his narrator. Nothing happens in the book except some people get brutally murdered, and in one particularly noteworthy but completely superfluous chapter, Clay, again the narrator, hires young boy and girl prostitutes to come out to Palm Springs with him where sexually tortures and debases them for no reason except to do it. Towards the end of the chapter, the girl prostitute, after having tried to escape but being caught and brought back tells Clay that he has made her believe in God again after being an atheist. Why? Because she was in hell, and the Devil lived in Palm Springs. Admittedly, it was a chilling moment in the book, but not worth what came before it. Especially since there was no reason for it to be there except to say that Clay, that young, impressionable and sensitive narrator who fled Los Angeles once and for all at the end of Less Than Zero, has nevertheless become a heartless product of his environment (the film industry and Hollywood) 25 years later. There is some sort of mystery of mistaken identity going on throughout the book (I think...) but it's only a mystery because no one speaks in complete sentences and because the characters in the book want it to be. The Hollywood cliches are all there (the struggling starlets; the lifers in the industry who have had so much plastic surgery they are no longer recognizable; the drugs; the sexual debasing; more snuff films uploaded onto the internet whose validity the characters debate; etc etc.). It's all so tiresome at this point.
I still think Less Than Zero is a great book, and provides the perfect backdrop for an era (the mid-80's). Rules of Attraction is also fantastic, and shows BEE actually dealing with at least a couple of people who actually have hearts and feel pain. And which was made into a pretty faithful movie adaptation, strangely enough, considering its shifting narrative and POV. American Psycho I've not read, though I feel like I have. Glamoramma and Lunar Park are both pieces of shit.
I try not to judge the artist by the art, though I always do anyway. I think Bret Easton Ellis is probably either a horrible person, or someone in so much pain, like his altar-ego Clay, who feels he must torture and rape innocent children just to prove that he still has power. Imperial Bedrooms is a completely empty novel, written by an individual wanting desperately to cash in on a famous name (the previous novel) but having no basis for actually doing so. It's too bad. It cheapens the original. Whatever hope, or salvation, or light, no matter how small, that was presented at the end of Less Than Zero by Clay turning his back on his life and disappearing, is rendered moot with this book. Is BEE trying to say that no matter what, we all turn into monsters? Or is he saying that when faced with such a barrage of banal evil, no one is actually strong enough to pull away? Whatever the case, all hope is lost. And Clay hires people to torture his best friend to death and put videos of it on the internet because he's jealous of a girl. That's the kind of boring, unimaginative low this book stoops to.
Whatever the message, it's no longer a message I'm interested in listening to.
-Bret Easton Ellis, Less Than Zero
Bret Easton Ellis has officially run out of ideas. I first read Less Than Zero when I was a freshman in college (appropriately) and I pretty much hated every character, but it made an impression on me. It wasn't until a bit later that I realized I was supposed to hate every character, and that Zero wasn't necessarily supposed to be entertainment. It was a document, so to speak, of a life. It seems too extreme to be real, painting as it does a world so full of drugs, materialistic consumption, power, money, and fame, that its inhabitants have become completely removed from any kind of reality. They are totally devoid of feeling. In one scene, a bunch of kids sit around a Malibu mansion watching a snuff film that was purchased on the street that contains children being tortured. In another, some friends of the main character tie a 12-year-old girl to a bed at a party in West Hollywood, shoot her full of drugs and take turns raping her. The main character's (and narrator's) response to this? To walk out on the balcony and say, "It's not right, what you're doing."
It is a disturbing book, to be sure, but I'm also not completely sure it's fiction, which is the point. It's a post-modern conundrum at its finest. It's an amoral document that dares you to be offended, but then says, "Hey, this is just my life, what I've seen. I just call it as I see it."

Ellis is at his best when he is plotless. When his characters simply move through life and events and observe. His next to last book, Lunar Park, was such a meta-analytical mess, it revealed a man who appeared to be seriously off his rocker. The main character's name was Bret Easton Ellis, but it's not the same BEE that wrote the book. The one in the book is heterosexual (everyone knows the real BEE is gay), lives in the northeastern suburbs, and has children. But he was also a writer, who, I believe, wrote American Psycho, I'm not sure. Anyway, he wrote something about children being murdered, and then, the plot of Lunar Park is about a real-life murderer who is reenacting the murders in the book with children from the fictional BEE's neighborhood, and then starts coming after his children. And then there was something about the BEE character's dead father showing up as a ghost, or something. I don't remember. Jay McInerney (one of my favorite contemporary novelists) also makes a cameo in the book as himself, but was apparently none too pleased with how he was portrayed. But it was a mess and ridiculous. Too much plot, which could have been interesting in hands that are perhaps more skilled in the art of storytelling.
Last week I just finished BEE's latest, Imperial Bedrooms, supposedly a sequel to Less Than Zero, but only because he says it is. It concerns Clay, the narrator of Zero, but in Bedrooms, in another meta-analytical twist so confusing it makes your head spin, he claims to have not written the book. He also claims that he and all his friends were invited to the movie premiere, and were stunned when the movie was nothing like the book, and thus, they felt their lives had been stolen by Hollywood and made into an after-school special. So in Imperial Bedrooms, both the book and the movie of Less Than Zero exist, but it's really BEE commenting on them through his narrator. Nothing happens in the book except some people get brutally murdered, and in one particularly noteworthy but completely superfluous chapter, Clay, again the narrator, hires young boy and girl prostitutes to come out to Palm Springs with him where sexually tortures and debases them for no reason except to do it. Towards the end of the chapter, the girl prostitute, after having tried to escape but being caught and brought back tells Clay that he has made her believe in God again after being an atheist. Why? Because she was in hell, and the Devil lived in Palm Springs. Admittedly, it was a chilling moment in the book, but not worth what came before it. Especially since there was no reason for it to be there except to say that Clay, that young, impressionable and sensitive narrator who fled Los Angeles once and for all at the end of Less Than Zero, has nevertheless become a heartless product of his environment (the film industry and Hollywood) 25 years later. There is some sort of mystery of mistaken identity going on throughout the book (I think...) but it's only a mystery because no one speaks in complete sentences and because the characters in the book want it to be. The Hollywood cliches are all there (the struggling starlets; the lifers in the industry who have had so much plastic surgery they are no longer recognizable; the drugs; the sexual debasing; more snuff films uploaded onto the internet whose validity the characters debate; etc etc.). It's all so tiresome at this point.
I still think Less Than Zero is a great book, and provides the perfect backdrop for an era (the mid-80's). Rules of Attraction is also fantastic, and shows BEE actually dealing with at least a couple of people who actually have hearts and feel pain. And which was made into a pretty faithful movie adaptation, strangely enough, considering its shifting narrative and POV. American Psycho I've not read, though I feel like I have. Glamoramma and Lunar Park are both pieces of shit.
I try not to judge the artist by the art, though I always do anyway. I think Bret Easton Ellis is probably either a horrible person, or someone in so much pain, like his altar-ego Clay, who feels he must torture and rape innocent children just to prove that he still has power. Imperial Bedrooms is a completely empty novel, written by an individual wanting desperately to cash in on a famous name (the previous novel) but having no basis for actually doing so. It's too bad. It cheapens the original. Whatever hope, or salvation, or light, no matter how small, that was presented at the end of Less Than Zero by Clay turning his back on his life and disappearing, is rendered moot with this book. Is BEE trying to say that no matter what, we all turn into monsters? Or is he saying that when faced with such a barrage of banal evil, no one is actually strong enough to pull away? Whatever the case, all hope is lost. And Clay hires people to torture his best friend to death and put videos of it on the internet because he's jealous of a girl. That's the kind of boring, unimaginative low this book stoops to.
Whatever the message, it's no longer a message I'm interested in listening to.
Wednesday, July 07, 2010
Bad Moon Rising
Despite my often loud and frequent claims to the contrary, I don't disbelieve in god. I don't believe in god, either. I definitely am not a christian. I just don't purport to claim to actually know what exists out there, but I'm pretty certain it's not some dude who somehow appeared at the beginning of time and acts as a personal therapist to everyone on earth and concerns himself with minutiae of our dull and dreary day to day lives. But I do think there's something, some spiritual plane of existence that we mere mortals will never understand or really know about as long as we're part of this mortal coil.
But it's also possible I have to believe that in order to reconcile the fact that I believe in ghosts. Without a doubt. And maybe in vampires too, but not nearly as strongly, and not like they are in the movies. But ghosts? Yes, absolutely. Mostly just because I want to. Which is how I view religion as well. People believe because they want to, because they simply make the choice to, or not to.
Earlier tonight I was reading a review of that movie Session 9, which is really fucking scary, and all about ghosts and insane people. So I decided to look up the Danvers State Hospital, where the movie takes place, and where it was filmed. And, incidentally, according to Wikipedia, was built on the hill where most of the women were executed that had been convicted of witchcraft during the Salem Witch Trials. There's a lot going on there.
Danvers State Hospital
Anyhoo, someone got the brilliant idea of turning the now abandoned Danvers hospital (also rumored to be the birthplace of the pre-frontal lobotomy) and turn it into "luxury condos" (is there any other kind...?). I mean, seriously??? Would you live there?
I can say that I would not. I like the idea of it, but I would be way too freaked out all the time, seeing and hearing ghoulies every place I went. And I wouldn't be wrong. No thank you. I mean, I know every place that humans have ever lived is haunted and ghosts surround us all the time. But why put yourself in a place that has seen such misery and torment and violence?
Seriously, you're just asking for trouble.
But it's also possible I have to believe that in order to reconcile the fact that I believe in ghosts. Without a doubt. And maybe in vampires too, but not nearly as strongly, and not like they are in the movies. But ghosts? Yes, absolutely. Mostly just because I want to. Which is how I view religion as well. People believe because they want to, because they simply make the choice to, or not to.
Earlier tonight I was reading a review of that movie Session 9, which is really fucking scary, and all about ghosts and insane people. So I decided to look up the Danvers State Hospital, where the movie takes place, and where it was filmed. And, incidentally, according to Wikipedia, was built on the hill where most of the women were executed that had been convicted of witchcraft during the Salem Witch Trials. There's a lot going on there.
Danvers State HospitalAnyhoo, someone got the brilliant idea of turning the now abandoned Danvers hospital (also rumored to be the birthplace of the pre-frontal lobotomy) and turn it into "luxury condos" (is there any other kind...?). I mean, seriously??? Would you live there?
I can say that I would not. I like the idea of it, but I would be way too freaked out all the time, seeing and hearing ghoulies every place I went. And I wouldn't be wrong. No thank you. I mean, I know every place that humans have ever lived is haunted and ghosts surround us all the time. But why put yourself in a place that has seen such misery and torment and violence?
Seriously, you're just asking for trouble.
Tuesday, July 06, 2010
It's true
I'm back.
I decided recently that one reason I stopped blogging was because I never really warmed up to my new blog. When I moved I thought it would be real fun to start over, start fresh, reinvent myself yet again. But just as I never truly warmed up to my new city in any way that felt terribly meaningful, I also never warmed up to my new blog. Even just typing in this entry feels like home again. Also, I guess, I've been really fucking busy, but that's also winding to a close. I have approximately 3 hours left of my graduate school career. Huzzah! It also started to feel like not a single person was actually reading it, which is as it is.
So faced with the prospect of looming unemployment, no school to go to, and a new city where I will know 1 and a half people (a good friend of mine and her husband that I've met once, hence the half person), I figure I might have lots of time to be writing about my musings on whatever it is I'm doing or not doing.
I took almost 2 hours last night to read back through old entries on this here bloggy, and realized how much I enjoyed doing it. So I will start again, and maybe someone besides me will enjoy it. Maybe not, but if nothing else, I would like to simply get back into the habit of writing more frequently. Keeps my brain nimble. And keeps me interested in things.
I hope you'll start coming back to visit me again!
I decided recently that one reason I stopped blogging was because I never really warmed up to my new blog. When I moved I thought it would be real fun to start over, start fresh, reinvent myself yet again. But just as I never truly warmed up to my new city in any way that felt terribly meaningful, I also never warmed up to my new blog. Even just typing in this entry feels like home again. Also, I guess, I've been really fucking busy, but that's also winding to a close. I have approximately 3 hours left of my graduate school career. Huzzah! It also started to feel like not a single person was actually reading it, which is as it is.
So faced with the prospect of looming unemployment, no school to go to, and a new city where I will know 1 and a half people (a good friend of mine and her husband that I've met once, hence the half person), I figure I might have lots of time to be writing about my musings on whatever it is I'm doing or not doing.
I took almost 2 hours last night to read back through old entries on this here bloggy, and realized how much I enjoyed doing it. So I will start again, and maybe someone besides me will enjoy it. Maybe not, but if nothing else, I would like to simply get back into the habit of writing more frequently. Keeps my brain nimble. And keeps me interested in things.
I hope you'll start coming back to visit me again!
Monday, August 18, 2008
So long, farewell.
This applies not only to Austin, but to this blog as well. In the interest of a true "starting over," this blog is now dead. But that sounds so harsh. Defunct is a better word.
But never fear, as I have started a new blog to take up to the PDX with me: Songs About Rainbows. I know, it's kinda silly, but there you have it.
I hope you've enjoyed reading and that you will follow me to my new home, and if applicable, update your links page accordingly.
Goodbye.
Love,
ryan
But never fear, as I have started a new blog to take up to the PDX with me: Songs About Rainbows. I know, it's kinda silly, but there you have it.
I hope you've enjoyed reading and that you will follow me to my new home, and if applicable, update your links page accordingly.
Goodbye.
Love,
ryan
Wednesday, August 13, 2008
Very spacious with lots of room for guests
I have a home in Portland! The rub, unfortunately, is that it's not available for living until September 6th, which leaves me homeless for slightly over 2 weeks after I'm there, but that's okay. Jody has lots of room for me.
Anyway, Collier says it's worth it. It's in the Hawthorne neighborhood, just across the river from downtown. It's a 4-plex, built in 1929, all hardwoods, big windows (which have all just been replaced with double-pane energy efficient ones), a working fireplace, arched doorways, built-in bookshelves, a small green space outside, and a shared basement with washer and dryer. It's one block from the major buslines, and the whole neighborhood is apparently very compact and dense with lots of awesome stuff to walk to, including several food co-ops. And it's pretty inexpensive, especially for the neighborhood.
So yay! I feel better now, a huge burden lifted from my shoulders, knowing I now at least have a place to live. The fact that I'm leaving has really sunk in this week, especially since today was my last day of work. I was ecstatic to be leaving, but I'll really miss some of the people there, and that was sad. My manager gave me a really sweet card with his contact information in it, and my friend Jake, who's a major cyclist, is giving me a $75 helmet, and $40 u-lock for my new bike I'm going to buy when I get up there. Which I was very touched by. He said he just had them lying around and he would love to let me have them. And lots of people, as they were getting off their shifts, came and said bye to me and gave me big hugs. I felt very loved.
So here are the photos from the Craigslist ad of my new house. Come visit me!!



Anyway, Collier says it's worth it. It's in the Hawthorne neighborhood, just across the river from downtown. It's a 4-plex, built in 1929, all hardwoods, big windows (which have all just been replaced with double-pane energy efficient ones), a working fireplace, arched doorways, built-in bookshelves, a small green space outside, and a shared basement with washer and dryer. It's one block from the major buslines, and the whole neighborhood is apparently very compact and dense with lots of awesome stuff to walk to, including several food co-ops. And it's pretty inexpensive, especially for the neighborhood.
So yay! I feel better now, a huge burden lifted from my shoulders, knowing I now at least have a place to live. The fact that I'm leaving has really sunk in this week, especially since today was my last day of work. I was ecstatic to be leaving, but I'll really miss some of the people there, and that was sad. My manager gave me a really sweet card with his contact information in it, and my friend Jake, who's a major cyclist, is giving me a $75 helmet, and $40 u-lock for my new bike I'm going to buy when I get up there. Which I was very touched by. He said he just had them lying around and he would love to let me have them. And lots of people, as they were getting off their shifts, came and said bye to me and gave me big hugs. I felt very loved.
So here are the photos from the Craigslist ad of my new house. Come visit me!!



Monday, August 04, 2008
What goes on
It's weird what can go on under your own nose in your own neighborhood, and one had no idea it's happening. I've always taken the safety of my neighborhood for granted, since it's pretty quiet, I've never had any trouble, and it's pretty hoity-toity. Recently, however, I've joined the Rosedale Yahoo group in an attempt to sell some furniture and discovered that people have been having rocks thrown through their house windows, animals mutilated and left menacingly in their yards (clearly the work of humans and not other animals), attempted break-ins, even while people are home. And Tom swears up and down that he saw someone walking around in my backyard the other night while I was asleep, at like, 3 in the morning. It's all enough to make me reconsider some of my decisions, like occasionally leaving my doors unlocked, or leaving the front window totally exposed, even at night.
I'm sure, comparatively, it's a very safe neighborhood, and maybe some of the above things are related, but mutilated animals, especially, give me the creeps. I guess that statement's a no-brainer.
On the other side of this coin, I only have two weeks left in A-Town. Two weeks from tomorrow. I officially depart the 19th. Jesus, what happened to the summer??!? It's close enough that the anxiety of moving, alone, is keeping me up at night, not to mention my anxiety about all I have left to do that I haven't. Instead I'm going to Barton Springs this afternoon. I haven't been in over a month! That's just sad.
I'm sure, comparatively, it's a very safe neighborhood, and maybe some of the above things are related, but mutilated animals, especially, give me the creeps. I guess that statement's a no-brainer.
On the other side of this coin, I only have two weeks left in A-Town. Two weeks from tomorrow. I officially depart the 19th. Jesus, what happened to the summer??!? It's close enough that the anxiety of moving, alone, is keeping me up at night, not to mention my anxiety about all I have left to do that I haven't. Instead I'm going to Barton Springs this afternoon. I haven't been in over a month! That's just sad.
Sunday, August 03, 2008
I'm a Fool (to do your dirty work)
This essay is one I wrote for submission to a literary magazine in New York that wanted break-up stories from the perspectives of the people doing the breaking up, since historically, break-ups are always examined from the POV of the person that got dumped. And the Dumper is pretty much always totally demonized, regardless of the circumstances. Luckily the person curating the magazine loved my essay. So we'll see if it actually sees the light of day beyond this blog. (And yes, I'm sure my ex would probably tell this story very differently as well. But that's why he can go write his own stupid essay if he wants to.)
For years now (3 years, one month and 7 days, actually…) I’ve resented that my last boyfriend forced me to break up with him. I take no small consolation, however, from the fact that I was his longest relationship to date (by 9 months) and that I was the first person that had ever broken up with him; he’d always previously been the Dumper. Never mind that it was a decision I made grudgingly and only because I knew he wouldn’t do it. I never expected, I guess, that he would be so relieved by it. I had let him off the hook. I had done the bastard’s dirty work for him.
The Dumper should never underestimate the power that he or she holds by doing the dumping. I might also add that they should perhaps never overestimate that power either. Aside from threatening to toss yourself off a cliff, breaking up with someone can be the most supremely manipulative action to take in a relationship. I was hoping that by breaking up with him, he’d know I meant business and it would frighten him out of his complacency and he’d realize what he was losing and beg me to stay. Only it didn’t happen that way.
Our relationship was dead. I think we were both aware of that, but neither of us was quite ready to admit it, at least not out loud. We had never gotten totally comfortable with each other, and we were both exhausted. It was no one’s fault, we were just mismatched. Timing, many people say, is the real key to relationship survival, and for both of us, it was the worst timing possible. I, however, was prepared to start over, begin from scratch with our new knowledge of this, but J. wasn’t. This was a fact later confirmed to me when a short time after our break up he told me how “relieved” he was that it was over. What was left of my heart, at that moment, crumbled to nothing. I think what’s most infuriating about that is that I knew he wanted out long before I did the breaking up. Except that J. lacked the fortitude and courage to break up with me. Partly, I think, out of a genuine love for me, and not wanting to let the dream go, but also, I am firmly convinced, because he didn’t want to be the bad guy.
My friends were all pretty sick and tired of hearing me whine about how miserable our relationship had become; how much he’d pulled away; how afraid I had become to be myself around him and the tension that created; how much I hated that he didn’t trust me enough to be truly open and giving of himself. Finally, after J. had been out of town for a week and made no attempt to see me for days upon his return, I decided I was finished. He had out-of-town guests coming in the next day for a full weekend of Central Texas barbeque-hopping that he was very excited for me to meet, so I had to wait until the weekend was over.
One might think having this kind of knowledge, and hoarding it from your completely unsuspecting lover of a year while you had to entertain his friends would make for pure misery, but you might be wrong. It’s sort of like how when someone commits suicide, and all of their friends are so shocked because they seemed so much happier than normal right before it happened, and they thought for sure the suicide committer was feeling much better. Well, that’s because the person committing the suicide had already made the decision to do so, thus freeing up that previously occupied part of their mind, or emotions. They vow to simply enjoy their last few days, or weeks, or whatever. Well, that’s sort of how I felt about this relationship. I was ninety-nine percent certain it was over, and that I was pulling the trigger, I just wasn’t positive about when.
So we had a lovely weekend taking his Northeastern friends to five different BBQ joints in one day, gorging ourselves stupid, hitting up flea markets, and having a great time. That evening back at his house he and I made fresh gazpacho from tomatoes and ingredients we bought at a farmer’s market in Luling, Texas. We had incredible sex that night and slept like babies. The next morning, however, he irritated me, we got in a fight, and I stormed out of his house and skipped out on breakfast with the guests. The next night, Monday, I showed up at his place and broke up with him on his front porch.
I told him I thought it was something we should do, but not something I wanted to do, and left the decision up to him. I suppose that was a bit cowardly of me, but what else was I supposed to do? I was in love; so in love. And he wasn’t. And we both knew it. He said he’d have to “think about” my proposal, which basically amounted to, “This seriously needs to change, or it needs to end,” but as we talked it became quite clear that we just didn’t see things the same way anymore. We’d had a good run, but it was done.
As I gave him a goodbye hug, his lip trembled and he choked up, and it was the only time I’d seen him show any real vulnerability in the year that we were together. I walked off his porch and went home. It was 2 days before I cried about it, but once I started, I didn’t stop for a year.
Being the one that instigated the breaking up, in essence being the Dumper, gave me a false sense that it wasn’t really over. If he’s always dumped everyone else, I reasoned, but I dumped him, and he sends me emails telling me how sad he is and how much he misses me, then surely I’ve made a mistake, I thought to myself. I kept the hope alive that all we needed was some time apart and a chance to miss each other before we got back together. It took me two years to let go of that. We talked occasionally during that time, but it became increasingly clear that we had nothing left to talk about, and even less still in common. And that he had zero interest in getting back together. Did he love me? Yes. Did he want to get back together and be in a romantic relationship with me? Uh…no.
Emotionally, it still feels like I was the one that was broken up with, even though intellectually I know it isn’t true. If I hadn’t brought it up that day, who knows how things might have turned out? I suspect he wouldn’t have let it go on much longer, but I can’t say for certain. It was a milestone in my emotional development, to be able to recognize that it wasn’t working, that maybe, despite all I wanted to believe, he wasn’t the One for me. For the first time, I had to make a decision to let go of something I wanted more than anything.
We’ve both moved on, and I think probably much happier with other people now, but I can always look back and say, “I let him go, and we both survived, and we’re both probably the better for it.” I still think of him often and hope he’s doing well. I suspect we’ll never speak again, and I don’t particularly want to. If I were to ever see him again, that little spark, that little “What if?” might still be there, and that’s nothing I’m interested in ever opening back up.
For years now (3 years, one month and 7 days, actually…) I’ve resented that my last boyfriend forced me to break up with him. I take no small consolation, however, from the fact that I was his longest relationship to date (by 9 months) and that I was the first person that had ever broken up with him; he’d always previously been the Dumper. Never mind that it was a decision I made grudgingly and only because I knew he wouldn’t do it. I never expected, I guess, that he would be so relieved by it. I had let him off the hook. I had done the bastard’s dirty work for him.
The Dumper should never underestimate the power that he or she holds by doing the dumping. I might also add that they should perhaps never overestimate that power either. Aside from threatening to toss yourself off a cliff, breaking up with someone can be the most supremely manipulative action to take in a relationship. I was hoping that by breaking up with him, he’d know I meant business and it would frighten him out of his complacency and he’d realize what he was losing and beg me to stay. Only it didn’t happen that way.
Our relationship was dead. I think we were both aware of that, but neither of us was quite ready to admit it, at least not out loud. We had never gotten totally comfortable with each other, and we were both exhausted. It was no one’s fault, we were just mismatched. Timing, many people say, is the real key to relationship survival, and for both of us, it was the worst timing possible. I, however, was prepared to start over, begin from scratch with our new knowledge of this, but J. wasn’t. This was a fact later confirmed to me when a short time after our break up he told me how “relieved” he was that it was over. What was left of my heart, at that moment, crumbled to nothing. I think what’s most infuriating about that is that I knew he wanted out long before I did the breaking up. Except that J. lacked the fortitude and courage to break up with me. Partly, I think, out of a genuine love for me, and not wanting to let the dream go, but also, I am firmly convinced, because he didn’t want to be the bad guy.
My friends were all pretty sick and tired of hearing me whine about how miserable our relationship had become; how much he’d pulled away; how afraid I had become to be myself around him and the tension that created; how much I hated that he didn’t trust me enough to be truly open and giving of himself. Finally, after J. had been out of town for a week and made no attempt to see me for days upon his return, I decided I was finished. He had out-of-town guests coming in the next day for a full weekend of Central Texas barbeque-hopping that he was very excited for me to meet, so I had to wait until the weekend was over.
One might think having this kind of knowledge, and hoarding it from your completely unsuspecting lover of a year while you had to entertain his friends would make for pure misery, but you might be wrong. It’s sort of like how when someone commits suicide, and all of their friends are so shocked because they seemed so much happier than normal right before it happened, and they thought for sure the suicide committer was feeling much better. Well, that’s because the person committing the suicide had already made the decision to do so, thus freeing up that previously occupied part of their mind, or emotions. They vow to simply enjoy their last few days, or weeks, or whatever. Well, that’s sort of how I felt about this relationship. I was ninety-nine percent certain it was over, and that I was pulling the trigger, I just wasn’t positive about when.
So we had a lovely weekend taking his Northeastern friends to five different BBQ joints in one day, gorging ourselves stupid, hitting up flea markets, and having a great time. That evening back at his house he and I made fresh gazpacho from tomatoes and ingredients we bought at a farmer’s market in Luling, Texas. We had incredible sex that night and slept like babies. The next morning, however, he irritated me, we got in a fight, and I stormed out of his house and skipped out on breakfast with the guests. The next night, Monday, I showed up at his place and broke up with him on his front porch.
I told him I thought it was something we should do, but not something I wanted to do, and left the decision up to him. I suppose that was a bit cowardly of me, but what else was I supposed to do? I was in love; so in love. And he wasn’t. And we both knew it. He said he’d have to “think about” my proposal, which basically amounted to, “This seriously needs to change, or it needs to end,” but as we talked it became quite clear that we just didn’t see things the same way anymore. We’d had a good run, but it was done.
As I gave him a goodbye hug, his lip trembled and he choked up, and it was the only time I’d seen him show any real vulnerability in the year that we were together. I walked off his porch and went home. It was 2 days before I cried about it, but once I started, I didn’t stop for a year.
Being the one that instigated the breaking up, in essence being the Dumper, gave me a false sense that it wasn’t really over. If he’s always dumped everyone else, I reasoned, but I dumped him, and he sends me emails telling me how sad he is and how much he misses me, then surely I’ve made a mistake, I thought to myself. I kept the hope alive that all we needed was some time apart and a chance to miss each other before we got back together. It took me two years to let go of that. We talked occasionally during that time, but it became increasingly clear that we had nothing left to talk about, and even less still in common. And that he had zero interest in getting back together. Did he love me? Yes. Did he want to get back together and be in a romantic relationship with me? Uh…no.
Emotionally, it still feels like I was the one that was broken up with, even though intellectually I know it isn’t true. If I hadn’t brought it up that day, who knows how things might have turned out? I suspect he wouldn’t have let it go on much longer, but I can’t say for certain. It was a milestone in my emotional development, to be able to recognize that it wasn’t working, that maybe, despite all I wanted to believe, he wasn’t the One for me. For the first time, I had to make a decision to let go of something I wanted more than anything.
We’ve both moved on, and I think probably much happier with other people now, but I can always look back and say, “I let him go, and we both survived, and we’re both probably the better for it.” I still think of him often and hope he’s doing well. I suspect we’ll never speak again, and I don’t particularly want to. If I were to ever see him again, that little spark, that little “What if?” might still be there, and that’s nothing I’m interested in ever opening back up.
Tuesday, July 29, 2008
Honeymoon in Venice *UPDATED*
Jody's entry now appears beneath mine in this post. Enjoy!
The group-blog writing project is underway. The assignment was to write a short essay about something that happened to you in a very specific place. The goal was to make the essay more about the intrinsic connection to the physical place than about what actually occurred there. Here are the participants:
Beth
Bryan
Emily
Mandy
Meredith
Stacy
Tom
And mine:

Being in Europe always makes me think of horror films. Trains zipping through the countryside and hundreds-year-old villages brings to mind old superstitions and ancient legends. I always feel like I’ve literally been transported back in time where people don’t go out after dark, and werewolves and vampires are the biggest threats to humanity, not oil or nuclear war. Everything in Europe has a slightly sinister feel to me. The way people are still largely clustered in urban areas with so much space in between them of rolling hills and forests, perfectly fit for all manner of beasts, fairies or goblins. The sheer age of so many buildings still in use (or at least still standing), with so much history etched into their psychic and physical structures, so much of that history so traumatic, bloody and violent.
There is no official origin of Venice, on Italy’s eastern coast. The most commonly accepted theory is that it was created by Eastern Romans escaping further encroachment by various invaders, most notably the Huns in the late 8th-century. The 118 islands making up Venice were the last physical resort, and they thought for sure, on those muddy, disjointed, sinking islands, they would be left alone. For the most part, it seems, they were right.
Crossing the brief stretch of ocean from the mainland of Italy to the heart of the city of Venice, I snapped a picture of my traveling companion staring out the window at the horizon of Venice approaching like the Emerald City. She’s chewing anxiously (or nervously) on a toothpick, the orange glow of early dusk spilling across the table of the booth we got on the train. Our backpacks and guidebooks are splayed across the table; anything to keep our restless hands and minds busy during what seemed like an interminable train ride from Milan to Venice. Venice was the crown jewel of our vacation, the one place we both insisted we see, even if we went nowhere else, and the place where we spent the longest.
Our guidebook informed us that very few people actually still reside on the islands of Venice (the majority of current inhabitants live in Terraferma, the mainland area of Venice), and of those, only the ones in the tourism trade are still there.
As we exited the train and stopped at a small cafĂ© to grab a quick sandwich, the only thing going through my mind was my most recent cinematic exposure to Venice in the 70’s thriller Don’t Look Back, about a small elfin woman stalking the dark alleyways and dead ends of a city built on war and desperation, slaughtering small children with a tiny knife. Venice is the perfect setting for a thriller or a horror film; I can’t believe more filmmakers haven’t made use of it, unless the cost is just too prohibitive.
As Collier (my friend) and I explored the sidewalks and alleys of Venice after dark, searching for a restaurant to get a proper meal, I was overwhelmed with the sheer darkness of it. Some alleys (“streets”) were no more than 6 or 7 feet wide, with buildings rising up 5 or 6 stories on either side. Most of those buildings were deserted, abandoned by people no longer able or willing to make a living in a city that no longer had any sort of practical function, except to be a tourist resort. It could be Detroit as easily as it could be Disney World.
What charmed me the most about the state of Venice was the complete lack of “dressiness.” The majority of the buildings remained completely dark, with only small lamps every ten feet or so to illuminate the alleyways. Restaurants and cafes weren’t the easiest things to come by, frankly, and the nightlife seemed to consist of two or three bars with drunken tourists crowding them to capacity and overflowing out onto the sidewalks and small plazas.
The name of the hostel where Collier and I stayed escapes me, but it was an old converted palace in what might have been the darkest and most hard to find corner of Venice. Directly on the canal with about a 3-foot sidewalk, we finally found it only by the “street” number. The name was posted nowhere. The hostel was run by three middle-aged ladies who didn’t speak a word to us (probably because I’m pretty sure they didn’t speak English), and sat in a hot, tiny office together watching television. Collier and I were the only people in the hostel, which was at least 4 or 5 floors. We had a room with 3 beds, and it was at the very end of a long, creepy hallway. And of course, the bathrooms were at the opposite end of said hallway, around 2 corners. The sheer immensity of the building was humbling, along with the fact that we were 2 of only 5 people in it.
Our second night in Venice, we returned from a late dinner, near 10 ‘o clock, and as we approached our hostel, warm, beckoning light poured out from the open second floor windows, which happened to be a small ballroom. We heard a soprano singing, some Italian aria that floated out like a vapor and ricocheted and echoed off the nearby buildings. The effect was ethereal. Unreal. Wordless, Collier and I sat down on some steps leading to the black, still waters of the canal in front of our hostel and just listened. A couple of small little crabs climbed from underneath the water, slipping and clawing at the moss on the partially covered steps. I commented on them, and we sat and stared at them, watching them do their thing, while the young soprano upstairs did her thing.
When she was finished singing, she was met with thunderous applause from her small audience. As we continued to sit there, soaking in this surreal moment, this exemplar of what, to me, Italy was all about, Collier said that she thought this is why people went on honeymoons. To experience something together that neither of them may ever get to witness again, or to make that first discovery of a place or thing you love, together. I think I tend to agree, though someday, I will go back to Venice. I probably won’t stay in that same place, and I may or may not go with a lover, or husband, or whatever, but I will go back, even if it’s by myself.
It was at that moment, that night, that Venice ceased to be creepy to me, and became completely magical and otherworldly. Despite having spent barely over two days there, it is my favorite city in the world, etched in my emotional memory like a first meeting with someone you fall madly in love with. I may spend the rest of my life getting back there, but I will get back.
And Jody's Story:
"Maude"
I walk by it almost everyday - the house in the middle of the block. It is painted white, but the paint is old and is flaking at the corners. The lawn is carefully manicured with planted flowers and tall ornamental leaved plants. In the driveway there sits a Ford Taurus as carefully kept as the yard. The house itself has two floors and large, wood- framed windows. The house is grand in an old-fashioned way. I imagine hardwood floors, high ceilings and light streaming in creating fancy shadows.
But in the midst of all of this careful and sophisticated grooming, there are inconsistencies. The largest window on the first floor facing the street is covered from the outside with a large, brown sheet. And sitting behind the shining car is an old, light blue and white Chevy truck placed on top of cement blocks. The house stirs my imagination.
Often, there is an old man trimming, cutting, and cleaning. He always smiles and says “hullo” as I pass by.
I imagine there is an old woman inside.
Her name is Maude and her hair is gray and trimmed into an above-the-shoulders bob. Curls line her face, coming in close at the cheeks. Today she is wearing white tapered slacks and a brown, tan and green flowered blouse. She’s standing in the kitchen; bright, midday light shining in through the two windows. She’s making sandwiches on paper towels. He’s in the living room rustling through something. She can hear him, but she only half wonders what he’s doing.
Maude tears some lettuce leaves from the iceberg head and pulls a plate from the cupboard.
“Maude, come here and look at this,” he calls from the living room.
“Just a minute,” Maude replies with a quick and unconcerned voice. But the plate she’s holding is set down too abruptly and it clangs loudly onto the blue and white tiles of the counter. Maude walks quickly to join her husband. She worries about her sandwiches. She walks heavily across the floor, her pants making brushing noises as her thighs pass back and forth against each other. She sees her husband in the corner of the room, kneeling on the dusty, hardwood floor.
“Look at this Maude.” He sounds happy.
In his hands is a picture of the two of them in a group with 4 other people sitting around a table. He turns to his wife and holds it up for her to see. Maude is in the center of the photograph holding her arms high into the air with her hands in fists as though she just accomplished something challenging. Her husband isn’t sitting next to her. Instead he is sitting between two women. Maude sees that they are her two sisters. On his right is Beth whose face is turned to the right looking at Maude. Her face is beaming. On his left is Anne. Anne is looking straight ahead with a perfectly posed smile, hands disappearing below the table, probably crossed nicely in her lap. In between the two sisters sits her husband. He is staring straight ahead with a sincere looking smile on his face. His brown hair is messy and one of his brown eyes is reflecting light in such a way that it makes him appear as though he is squinting. Both of his hands are placed firmly on the top of the table with his fingers curled as though he is trying to dig holes into the white, lace tablecloth.
He hands the photo to her so that she can take a closer look. “Do you remember this photo, Maude?”
Maude puts her hand onto her husband’s shoulder. She forces a smile and quietly replies, “I remember, Sam.” She turns and walks slowly back into the kitchen, her thighs swish, swish, swishing.
As Sam carefully places the photo back into the envelope where he found it, he hears the rustling of his wife in the kitchen.
“Did you want chips with your sandwich?” she calls.
The group-blog writing project is underway. The assignment was to write a short essay about something that happened to you in a very specific place. The goal was to make the essay more about the intrinsic connection to the physical place than about what actually occurred there. Here are the participants:
Beth
Bryan
Emily
Mandy
Meredith
Stacy
Tom
And mine:
Being in Europe always makes me think of horror films. Trains zipping through the countryside and hundreds-year-old villages brings to mind old superstitions and ancient legends. I always feel like I’ve literally been transported back in time where people don’t go out after dark, and werewolves and vampires are the biggest threats to humanity, not oil or nuclear war. Everything in Europe has a slightly sinister feel to me. The way people are still largely clustered in urban areas with so much space in between them of rolling hills and forests, perfectly fit for all manner of beasts, fairies or goblins. The sheer age of so many buildings still in use (or at least still standing), with so much history etched into their psychic and physical structures, so much of that history so traumatic, bloody and violent.
There is no official origin of Venice, on Italy’s eastern coast. The most commonly accepted theory is that it was created by Eastern Romans escaping further encroachment by various invaders, most notably the Huns in the late 8th-century. The 118 islands making up Venice were the last physical resort, and they thought for sure, on those muddy, disjointed, sinking islands, they would be left alone. For the most part, it seems, they were right.
Crossing the brief stretch of ocean from the mainland of Italy to the heart of the city of Venice, I snapped a picture of my traveling companion staring out the window at the horizon of Venice approaching like the Emerald City. She’s chewing anxiously (or nervously) on a toothpick, the orange glow of early dusk spilling across the table of the booth we got on the train. Our backpacks and guidebooks are splayed across the table; anything to keep our restless hands and minds busy during what seemed like an interminable train ride from Milan to Venice. Venice was the crown jewel of our vacation, the one place we both insisted we see, even if we went nowhere else, and the place where we spent the longest.
Our guidebook informed us that very few people actually still reside on the islands of Venice (the majority of current inhabitants live in Terraferma, the mainland area of Venice), and of those, only the ones in the tourism trade are still there.
As we exited the train and stopped at a small cafĂ© to grab a quick sandwich, the only thing going through my mind was my most recent cinematic exposure to Venice in the 70’s thriller Don’t Look Back, about a small elfin woman stalking the dark alleyways and dead ends of a city built on war and desperation, slaughtering small children with a tiny knife. Venice is the perfect setting for a thriller or a horror film; I can’t believe more filmmakers haven’t made use of it, unless the cost is just too prohibitive.
As Collier (my friend) and I explored the sidewalks and alleys of Venice after dark, searching for a restaurant to get a proper meal, I was overwhelmed with the sheer darkness of it. Some alleys (“streets”) were no more than 6 or 7 feet wide, with buildings rising up 5 or 6 stories on either side. Most of those buildings were deserted, abandoned by people no longer able or willing to make a living in a city that no longer had any sort of practical function, except to be a tourist resort. It could be Detroit as easily as it could be Disney World.
What charmed me the most about the state of Venice was the complete lack of “dressiness.” The majority of the buildings remained completely dark, with only small lamps every ten feet or so to illuminate the alleyways. Restaurants and cafes weren’t the easiest things to come by, frankly, and the nightlife seemed to consist of two or three bars with drunken tourists crowding them to capacity and overflowing out onto the sidewalks and small plazas.
The name of the hostel where Collier and I stayed escapes me, but it was an old converted palace in what might have been the darkest and most hard to find corner of Venice. Directly on the canal with about a 3-foot sidewalk, we finally found it only by the “street” number. The name was posted nowhere. The hostel was run by three middle-aged ladies who didn’t speak a word to us (probably because I’m pretty sure they didn’t speak English), and sat in a hot, tiny office together watching television. Collier and I were the only people in the hostel, which was at least 4 or 5 floors. We had a room with 3 beds, and it was at the very end of a long, creepy hallway. And of course, the bathrooms were at the opposite end of said hallway, around 2 corners. The sheer immensity of the building was humbling, along with the fact that we were 2 of only 5 people in it.
Our second night in Venice, we returned from a late dinner, near 10 ‘o clock, and as we approached our hostel, warm, beckoning light poured out from the open second floor windows, which happened to be a small ballroom. We heard a soprano singing, some Italian aria that floated out like a vapor and ricocheted and echoed off the nearby buildings. The effect was ethereal. Unreal. Wordless, Collier and I sat down on some steps leading to the black, still waters of the canal in front of our hostel and just listened. A couple of small little crabs climbed from underneath the water, slipping and clawing at the moss on the partially covered steps. I commented on them, and we sat and stared at them, watching them do their thing, while the young soprano upstairs did her thing.
When she was finished singing, she was met with thunderous applause from her small audience. As we continued to sit there, soaking in this surreal moment, this exemplar of what, to me, Italy was all about, Collier said that she thought this is why people went on honeymoons. To experience something together that neither of them may ever get to witness again, or to make that first discovery of a place or thing you love, together. I think I tend to agree, though someday, I will go back to Venice. I probably won’t stay in that same place, and I may or may not go with a lover, or husband, or whatever, but I will go back, even if it’s by myself.
It was at that moment, that night, that Venice ceased to be creepy to me, and became completely magical and otherworldly. Despite having spent barely over two days there, it is my favorite city in the world, etched in my emotional memory like a first meeting with someone you fall madly in love with. I may spend the rest of my life getting back there, but I will get back.
And Jody's Story:
"Maude"
I walk by it almost everyday - the house in the middle of the block. It is painted white, but the paint is old and is flaking at the corners. The lawn is carefully manicured with planted flowers and tall ornamental leaved plants. In the driveway there sits a Ford Taurus as carefully kept as the yard. The house itself has two floors and large, wood- framed windows. The house is grand in an old-fashioned way. I imagine hardwood floors, high ceilings and light streaming in creating fancy shadows.
But in the midst of all of this careful and sophisticated grooming, there are inconsistencies. The largest window on the first floor facing the street is covered from the outside with a large, brown sheet. And sitting behind the shining car is an old, light blue and white Chevy truck placed on top of cement blocks. The house stirs my imagination.
Often, there is an old man trimming, cutting, and cleaning. He always smiles and says “hullo” as I pass by.
I imagine there is an old woman inside.
Her name is Maude and her hair is gray and trimmed into an above-the-shoulders bob. Curls line her face, coming in close at the cheeks. Today she is wearing white tapered slacks and a brown, tan and green flowered blouse. She’s standing in the kitchen; bright, midday light shining in through the two windows. She’s making sandwiches on paper towels. He’s in the living room rustling through something. She can hear him, but she only half wonders what he’s doing.
Maude tears some lettuce leaves from the iceberg head and pulls a plate from the cupboard.
“Maude, come here and look at this,” he calls from the living room.
“Just a minute,” Maude replies with a quick and unconcerned voice. But the plate she’s holding is set down too abruptly and it clangs loudly onto the blue and white tiles of the counter. Maude walks quickly to join her husband. She worries about her sandwiches. She walks heavily across the floor, her pants making brushing noises as her thighs pass back and forth against each other. She sees her husband in the corner of the room, kneeling on the dusty, hardwood floor.
“Look at this Maude.” He sounds happy.
In his hands is a picture of the two of them in a group with 4 other people sitting around a table. He turns to his wife and holds it up for her to see. Maude is in the center of the photograph holding her arms high into the air with her hands in fists as though she just accomplished something challenging. Her husband isn’t sitting next to her. Instead he is sitting between two women. Maude sees that they are her two sisters. On his right is Beth whose face is turned to the right looking at Maude. Her face is beaming. On his left is Anne. Anne is looking straight ahead with a perfectly posed smile, hands disappearing below the table, probably crossed nicely in her lap. In between the two sisters sits her husband. He is staring straight ahead with a sincere looking smile on his face. His brown hair is messy and one of his brown eyes is reflecting light in such a way that it makes him appear as though he is squinting. Both of his hands are placed firmly on the top of the table with his fingers curled as though he is trying to dig holes into the white, lace tablecloth.
He hands the photo to her so that she can take a closer look. “Do you remember this photo, Maude?”
Maude puts her hand onto her husband’s shoulder. She forces a smile and quietly replies, “I remember, Sam.” She turns and walks slowly back into the kitchen, her thighs swish, swish, swishing.
As Sam carefully places the photo back into the envelope where he found it, he hears the rustling of his wife in the kitchen.
“Did you want chips with your sandwich?” she calls.
Wednesday, July 23, 2008
Rock Band is fun, but it's more fun if you have any clue what you're doing.
I started out on drums, playing "Orange Crush" by REM while my brother sang and my nephew played guitar, but I did very poorly. I fared slightly better on "Creep" by Radiohead, rocked the house singing "Don't Look Back in Anger" by Oasis (99%!), and got kicked off the stage playing guitar on "Don't Fear the Reaper." Too bad.
Things that were awesome:
My nephew knows all the words to "In Bloom" by Nirvana.
For some reason I did really well drumming "In Bloom."
Listening to my brother sing "Maps" by the Yeah Yeah Yeahs is pretty funny.
Mandy & Victor: I'm sorry Ellen and I poo-pooed playing Rock Band this weekend. It would have been really fun. And you guys would have let me play "Celebrity Skin," unlike my mean brother.
Things that were awesome:
My nephew knows all the words to "In Bloom" by Nirvana.
For some reason I did really well drumming "In Bloom."
Listening to my brother sing "Maps" by the Yeah Yeah Yeahs is pretty funny.
Mandy & Victor: I'm sorry Ellen and I poo-pooed playing Rock Band this weekend. It would have been really fun. And you guys would have let me play "Celebrity Skin," unlike my mean brother.
Tuesday, July 22, 2008
Strategery
Playing Risk with my 2 brothers whenever I go home to visit my family is a tradition that goes back to 2001. That Christmas, I was living in Austin and my oldest brother still lived in Little Rock (about 3 hours from my parents), and we both got snowed in at my parent's for an extra 3 days because of a giant, unexpected blizzard. So to pass the time, my brothers and I started playing Risk. We must have played 6 games in those 2 or 3 days, and somehow it stuck. Now my oldest brother lives about a half mile from parents, so whenever I go visit, the three of us, at some point, bust out the board.
I actually despise playing Risk. I think it's boring and stupid, and even worse, it makes me feel stupid. My oldest brother, on the other hand, loves it. He's the total left-brain, total logic, math and science, computer guy. I guess he just has fun playing with my other brother and myself, because it never fails, every game, he just wipes the floor with both of us. This past Christmas, somehow, someway, I actually managed to win. It was a total accident, and if you'd asked me how I did it, I wouldn't be able to explain it. I just did. It was a fluke.
Nevertheless, I think it gave me an artificial confidence. Because tonight, we played again, and I do believe it might hold a record for the shortest game ever. In just over an hour, my oldest brother managed not only to win, but to win so swiftly and quickly that even I didn't have a chance to get bored before it was over.
So I play Risk. It's a fun thing to do with my brothers, and mostly we just sit around and laugh a lot and drink a whole lot. Not that I'm drinking, really, while I'm at home this trip, because my Sunday night binge in Dallas ended up all over the bathroom of the airplane the next morning on my flight to Arkansas. I knew I shouldn't have had those last two champagne/vodka drinks. Oy.
Today, however, I had a lovely afternoon picking wild blackberries in my parent's fields with my 6-year-old nephew, then baking a cobbler with them from scratch with my mom, then playing in the pool with my nephew for about 2 hours after that. (I was alternately the sea monster and the "rescuer.")
Tomorrow I'm going out on a long bike trail with my dad, then taking my nephew to see wall-e. I'm very excited.
Then possibly another Risk game. Which I might actually at least attempt to win, after tonight's humiliating crush.
I actually despise playing Risk. I think it's boring and stupid, and even worse, it makes me feel stupid. My oldest brother, on the other hand, loves it. He's the total left-brain, total logic, math and science, computer guy. I guess he just has fun playing with my other brother and myself, because it never fails, every game, he just wipes the floor with both of us. This past Christmas, somehow, someway, I actually managed to win. It was a total accident, and if you'd asked me how I did it, I wouldn't be able to explain it. I just did. It was a fluke.
Nevertheless, I think it gave me an artificial confidence. Because tonight, we played again, and I do believe it might hold a record for the shortest game ever. In just over an hour, my oldest brother managed not only to win, but to win so swiftly and quickly that even I didn't have a chance to get bored before it was over.
So I play Risk. It's a fun thing to do with my brothers, and mostly we just sit around and laugh a lot and drink a whole lot. Not that I'm drinking, really, while I'm at home this trip, because my Sunday night binge in Dallas ended up all over the bathroom of the airplane the next morning on my flight to Arkansas. I knew I shouldn't have had those last two champagne/vodka drinks. Oy.
Today, however, I had a lovely afternoon picking wild blackberries in my parent's fields with my 6-year-old nephew, then baking a cobbler with them from scratch with my mom, then playing in the pool with my nephew for about 2 hours after that. (I was alternately the sea monster and the "rescuer.")
Tomorrow I'm going out on a long bike trail with my dad, then taking my nephew to see wall-e. I'm very excited.
Then possibly another Risk game. Which I might actually at least attempt to win, after tonight's humiliating crush.
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